By Mary Redstone
I have always loved music, it is in my blood. However, I grew up with a relatively limited selection; my mother played me things like the Beatles, the Monkees, and a lot of what is generally considered “oldies” while my father would plop me in front of MTV where I was overloaded with the Red Hot Chili Peppers and Nirvana. It wasn’t until I reached middle school that I discovered country and blues, high school brought me to jazz, metal, and Brit pop, and now college has found me thrown headfirst into bluegrass without a leg to stand on.
My friend Cassie had been trying to sell me on this idea of a four-day-bluegrass festival in New York ever since I met her. She had been going to this festival for over ten years when she first mentioned it, and while it seemed like a lot of fun I couldn’t get into the idea of four days of nothing but bluegrass. I was unfortunately in the category of someone who thought that bluegrass was only for Hillbillies and people who drove their jeeps around with a Confederate flag flapping in the back window.
But, in the winter of 2011 something clicked in my head and I suddenly found myself in the middle of an epiphany: bluegrass really isn’t that bad. One of my friends, with whom I hadn’t spoken in quite some time, commissioned me to make a documentary for him on his grandfather and his grandfather’s friends. They were all Canadian fiddle players who happened to specialize in Arcadian Bluegrass. The few weeks I spent filming and planning opened my eyes to the world of bluegrass and tore down all walls I had previously built out of stereotypes and denim overalls.
A few weeks later, I was talking with Cassie and mentioned the film and how I was suddenly very interested in bluegrass. Naturally, the conversation turned to the festival she had mentioned so many times in the past. It was called Greyfox and it took place over four to five days in the middle of July on a farm in Oak Hill, NY. For the first time, I was very interested.